To present a whole world that doesn’t exist and make it seem real, we have to more or less pretend we’re polymaths. That’s just the act of all good writing.

William Gibson
To present a whole world that doesn’t exist and make...
To present a whole world that doesn’t exist and make...
To present a whole world that doesn’t exist and make...
To present a whole world that doesn’t exist and make...
About This Quote

To present a whole world that doesn't exist and make it seem real, we have to more or less pretend we're polymaths. That's just the act of all good writing. You need to be able to create entire worlds in your stories, places where people live, act, think, dream. This is why good writers will often spend an inordinate amount of time researching their worlds.

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  1. To present a whole world that doesn’t exist and make it seem real, we have to more or less pretend we’re polymaths. That’s just the act of all good writing.

  2. Farber says (in my recollection, anyway) the European (or classical) art, including film, is culturally assumed to be a monumental slab. It's about that slab, and how it's been shaped, or what's been carved on it. In "termite art" though, your slab has been wormholed...

  3. Voodou isn’t like that. It isn’t concerned with notions of salvation and transcendence. What it’s about is getting things done. You follow me? In out system, there are many gods, spirits. <span style="margin:15px; display:block"></span>Part of one big family, with all the virtues, all the vices....

  4. We have no future because our present is too volatile. We have only risk management. The spinning of the given moment's scenarios. Pattern recognition.

  5. Time moves in one direction, memory another. We are that strange species that constructs artifacts intended to counter the natural flow of forgetting.

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